How to make an easy perspective grid on Photoshop
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Adobe Photoshop has a fairly steep learning curve. On-the-job training, if you’re lucky, is limited to a hands-on apprenticeship, which is often with a skilled mentor. The courseware and skills you may need to acquire in order to become a Photoshop guru are not easy.
Choosing Photoshop
Photoshop is a professional digital imaging tool, much like Photoshop Lightroom is for photography, as discussed in Book IV, Chapter 5. You can certainly use Photoshop at home, although you can’t expect to recreate the images you capture in your family snapshot or vacation photo albums.
The following issues should help you decide whether Photoshop is the right tool for your needs. (See Chapter 2 for an introduction to Photoshop.)
Cost: When you add up all the costs of using Photoshop (software, monthly subscription, and learning materials), the cost may seem steep, even for small jobs. But photography sites regularly post recommendations of Photoshop subscriptions that you can buy for a fraction of the cost of high-end service packages. The basic PS subscription plan, for example, costs US$50, with options to buy larger subscription bundles at prices ranging from US$50 to US$500.
Familiarity: You need to be familiar with Photoshop, or you may have an uncomfortable learning curve. The number of basic editing tools and their affordances are similar, but the general approach is different. A great deal of Photoshop’s power lies in its organized layers and tabs. I give you some hints about using Photoshop’s basic features in Book I, Chapter 3.
Personality: If you love creating and editing, Photoshop may be a perfect fit for you. But it’s less than ideal if you’re intimidated by computers and have little or no interest in creating digital images. You need to enjoy the feeling of working with light and shadows.
Software: A fully featured Photoshop requires a large installation and software (on your computer, your computer’s hard drive, and your hard drive’s memory card) that weighs in at several hundred megabytes (MB) or even gigabytes (GB). If you already have an old Windows computer or Mac that runs slower, you may be able to get by with a smaller version of the software. Some versions of Photoshop have been sold on the Web for download, or you can download a trial version, which enables you to examine the program’s features and start making images.
Stick with it
Photoshop is the editor of choice for professional photographers and those
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The latest version of Photoshop. The latest version of Photoshop. The latest version of Photoshop allows you to easily edit images. You can easily create new images, and change the look of your old images.
Lets get started with the basics of Photoshop.
1. How to open a new Photoshop document
The easiest way to open a new document is to hit Ctrl+N. This will create a new document. Photoshop will automatically create a new document with a template. There are different templates to choose from for different purposes.
2. Change the Template of the New Photoshop Document
You can change the template that is chosen by the default Photoshop template. Click on the top left hand corner of your window (the small round icon) then select “File”. From there you can select your file type (PDF, EPS, PSD, XPS, etc) and your format (JPG, PNG, TIFF, etc) Then choose “File” again and choose “Save as”.
3. Selecting a Background
You will most likely want to select a background for your new Photoshop document.
This is the easiest way. Click on the top left hand corner of your window (the small round icon), select “Arrange” and then click on the “Artboard” tab. Click on the drop down to select the shape you want to use as your background. The default shape is a circle, but you can also choose a rectangle, square, heart, etc. It’s your choice.
4. Create a New Document and Put a Background
Again, this is the easiest way. Ctrl+N will create a new document, and you will have a default template. Drag and drop a shape on the artboard and change its color to whatever you like.
5. Format the Image
The next thing you’ll want to do is format the image.
6. Change the RGB Colors and Convert to Grayscale
The easiest way to change the colors is to go to “Image” > “Adjustment” > “Levels”. You’ll be presented with a window with your current colors and the darkest and lightest gray values. You can simply drag the color bar up and down to the desired position.
If you want to convert the image to grayscale, go to �
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Potassium currents in freshly isolated, cultured neonatal rat cardiomyocytes.
Patch-clamp techniques were used to determine the biophysical properties of potassium currents in freshly isolated, cultured (3-day) neonatal rat cardiomyocytes. The following K+ currents were observed: a transient outward current (I(to)) was elicited with depolarizing pulses between -50 and +100 mV with a maximal amplitude of -77.2 +/- 7.0 pA/pF (n = 10), and the inward rectifier current (I(K1)) was seen with hyperpolarizing pulses between -80 and -60 mV with a maximal amplitude of 4.3 +/- 0.4 pA/pF (n = 23). Consistent with previous studies, a delayed rectifier outward current (I(Kv)) was observed with a maximal amplitude of -102.9 +/- 14.1 pA/pF (n = 8). A tetraethylammonium-sensitive inwardly rectifying current (I(Kir)) was also observed with a maximal amplitude of -52.9 +/- 3.6 pA/pF (n = 13). Activation of I(to) and I(Kv) was dependent on membrane depolarization and occurred at voltages that fell within the physiologically relevant range (-50 to +60 mV). Activation of I(to) and I(Kv) exhibited time constants of -6.3 +/- 0.9 and -1.7 +/- 0.3 ms, respectively. Inactivation of both I(to) and I(Kv) occurred more rapidly than current activation, with time constants of -0.8 +/- 0.4 and -0.3 +/- 0.02 ms, respectively. Neither the time constant of inactivation of I(Kir) (9.6 +/- 1.7 ms) nor the relative differences in the activation or inactivation kinetics of I(to) and I(Kv) were significantly different from those reported previously in guinea pig cardiomyocytes. Sotalol, a nonspecific beta-adrenergic and nonselective K+ channel blocker, had no effect on the amplitude, voltage dependence, kinetics, or pharmacology of the whole-cell K+ currents in neonatal rat cardiomyocytes. The presence of the delayed rectifier outward current in neonatal rat cardiomyocytes is consistent with other studies indicating
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The younger of the Bellingham brothers, known as the ‘Swiss machine’ because of his combination of athleticism and a gentle giant demeanor, went from a junior college to one of the most impressive careers of all time — cementing himself into the hallowed halls of baseball lore while all the while seeking his path in the world.
Few could have imagined a young Aaron ‘Bubby’ Belliard would have the kind of impact on modern baseball history that he did. Fewer still could have envisioned that he would be on the precipice of becoming the youngest player in the history of the league to reach 1,000 strikeouts. But he was. And he was number one.
At just the age of 21, with two years of college under his belt and time on the farm, Belliard took off as a rookie, eventually going on to shatter the record for strikeouts in a season at the time with 1,634. He brought with him a thunderous bat and, at 6’3’’ and a lean 190 pounds, a bat speed that intimidated even the best of them. His bat was his single greatest weapon — by that point in his career, though, he’d also developed a well-rounded package that fit the bill.
(It’s still the ultimate in spite: Dave Winfield, one of the best ever to step to the plate, once told The Big Lead that Belliard “hit like a mule.”)
Two years later, at the age of 23, Belliard looked less like a rookie and more like he’d been on the same mound for years: 527 strikeouts for good measure, a then-record, a Mariners franchise record and a club record. Still two years away from taking the mound in a game for Seattle, he didn’t need any time at all to establish himself as a dominant presence.
He remained dominant into the 2004 campaign, even as the strikeout rate dropped to 376. It was then that he began to build the sterling reputation that would shape his career and the career of the Seattle Mariners in general.
His dominance peaked when he was 25, with some 2,500 strikeouts.
Then the wheels fell off. His strikeouts plummeted and his walks grew. He battled an array of injuries to the point where he lost considerable playing time to players who were younger and, yes, slower. A broken finger, for
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