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Roads and Landscape

A short preview of three works from the 19th-century artist, Albert Toft

A. P. G. Laing

The Janus for the Full Phalanx, 1847, illustration by John Faed

Calvin Maudsley (1822-1915)

The drawing of the cypress-tree in Figure 3 below (see the print “Figurative description of nature” in, dated 1850 in the lower left of Figure 3) reminded me of Albert Toft’s “A mountain and a tree” from (see A. P. G. Laing’s site below) 1847.

I haven’t seen (or heard) anything about how the mountain and the tree came to be. But they are clearly naturalistic figures that might have been drawn by someone who had the skills – and the inspiration – of Abraham Ludovici (b. May 7, 1839; d. October 6, 1905), the Austrian painter and landscape artist who, as his museum biography at Tate Modern reports (our native artist) suggests “adopted the motto ‘draw what you see’ as a guide to painting.” The biographical note also reports that for an exhibition of his work, held at the Imperial Academy of Fine Arts, Vienna, in 1907, he included some of the works in this collection as a bonus – and they still seem to stand up pretty well.

The muscular branch of the cypress is perhaps rather convincingly sketched, but there is no sign of the anthropomorphic figure the fruit tree is so often portrayed as holding. Even if it were not a piece of realist fiction, this landscape element in figure 3 – portraying as it does a type of tree in which “some of the oldest works of human culture are well-attested,” according to the source quoted below – has a suggestive and subjective power all its own.

Albert Toft (b. August 1, 1820; d. September 29, 1869) was a landscape, marine and figure painter, a student of Francis Danby and a founding member of the British Water-colour Society. He showed in about twenty-five exhibitions from 1839 to 1869, showing his water-colours – as William Vaughan recounts in his book, Albert Toft: His Works and Times (1877) –

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